Waacking - Philosophical Concept | Alexandria
Waacking, a dance form born from the underground club scene of 1970s Los Angeles, is more than just rhythmic arm movements; it’s a defiant celebration of identity, expression, and liberation. Often mistaken for voguing or dismissed as a fleeting trend, waacking holds a unique history, demanding a closer look beyond superficial labels.
Emerging from a period of significant social and cultural upheaval, waacking found its earliest expressions in the predominantly Black and Latinx LGBTQ+ clubs of Los Angeles. While pinpointing the exact origin remains elusive, the early 1970s saw the dance taking shape, fueled by disco music and a need for self-expression in a society often hostile to marginalized communities. Historical accounts from club-goers and early practitioners hint at a potent blend of defiance and joy, hinting at stories begging to be fully uncovered.
The evolution of waacking is intrinsically linked to the stories of its pioneers. Figures like Arthur Murray, Tinker, and Andrew Phillip Chaman have shaped the dance's signature sharp poses and fluid arm movements, initially inspired by Old Hollywood glamour and film stars such as Lauren Bacall and Marlene Dietrich. As waacking spread, it intertwined with other dance forms and evolving musical landscapes, leading to variations and reinterpretations that continue to spark debates about authenticity and ownership. This raises an underlying question: How do we balance preserving the spirit of a dance with room for growth and change?
Today, waacking resonates globally, finding renewed appreciation through social media and dance communities. More than just steps, it's celebrated as a powerful symbol of self-acceptance, resistance, and the enduring spirit of a community that dared to create beauty and joy in the face of adversity. As waacking continues to evolve and inspire, one must wonder: How can we continue to acknowledge this dance's roots and history while ensuring the preservation, respect, and proper recognition of the originators?