And Ye Shall Walk in Silk Attire - Classic Text | Alexandria
"And Ye Shall Walk in Silk Attire" is a notable Scottish song poem written by Susanna Blamire (1747-1794), often referred to as "The Muse of Cumberland." This pastoral ballad, composed in the late 18th century, exemplifies the intersection of Scottish romantic poetry and traditional folk music, capturing themes of love, social mobility, and rural life in Georgian-era Britain.
First published posthumously in 1842, the poem appeared in "The Poetical Works of Miss Susanna Blamire, 'The Muse of Cumberland,'" edited by Patrick Maxwell and Dr. Henry Lonsdale. The work reflects Blamire's unique position as a genteel English woman who became deeply immersed in Scottish culture and dialect poetry during her extended stays in Scotland. The song's title promises luxury and social advancement ("silk attire"), yet its verses reveal a more nuanced exploration of love's value over material wealth.
Blamire's composition gained significant popularity in Scottish folk circles, with various musical arrangements emerging throughout the 19th century. The most enduring melody was composed by Neil Gow Jr., son of the famous Scottish fiddler Neil Gow. The song's themes resonated particularly strongly during Scotland's industrial transformation, when social mobility and traditional values often came into conflict. Its narrative of a wealthy suitor promising fine clothes to win a maiden's affection continues to offer relevant commentary on materialism versus genuine emotional connection.
The legacy of "And Ye Shall Walk in Silk Attire" extends beyond its initial cultural context, finding new relevance in contemporary folk revival movements and academic studies of women's literary contributions to the Scottish Enlightenment. Blamire's work, including this piece, challenges traditional narratives about female authorship and cross-cultural literary production in 18th-century Britain. Modern interpretations continue to explore the song's subtle critiques of class dynamics and gender roles, while its melodic qualities ensure its ongoing performance in traditional Scottish music circles. The piece stands as a testament to Blamire's skill in bridging English and Scottish cultural traditions, while raising pertinent questions about the nature of love, wealth, and social status that remain relevant today.